Just as he is about to kill Baldwin via choking, Cynthia's memories of the brides killing her family resurface, causing her to realize Yorga was responsible for their deaths. The film was given a second VHS release by MGM Home Entertainment in September 2000. Tommy claims that nothing has happened. Michael and Donna rest while Hayes studies vampire lore until he, too, falls asleep. The low budget is revealed occasionally such as when two men carry on a conversation done entirely in voiceovers as they are shown walking, in long shots, through L.A. (these scenes afford priceless glimpses at the city at that time, however) and in the Volkswagon minibus scenes in which the actors are clearly emoting during daylight hours for a scene that takes place late at night! Reverend Thomas is sent to distract Yorga while Baldwin, Madden and O'Connor sneak in to search the manor, armed with sticks they can cross and hold up to ward off the vampires. Several ingredients really help to lift this modern-day tale above the raft of similar competitors. Soon some of them are disappearing, the females falling under the spell of this stranger. He is about to take her when he hears Baldwin scream his name, who seemingly has escaped the brides. He becomes infatuated with Cynthia. They also wear no shoes . The sance turns slightly chaotic, and Donna's friends begin to suspect that there's something odd about the Count, especially when they learn that he had been dating Donna's mother, requested that she not be cremated, as her earlier wishes had it, but didn't turn up at the funeral. The film is very talky at the start, which can be a little bit annoying as the pace is very slow - but what Yorga is saying is interesting, and it really isn't long before the film starts properly. This time, the Count (played by Robert Quarry), having purchased an old mansion in California, is terrorising the nearby Westwood Orphanage. In April 1991, the film was packaged as a Laserdisc double feature (Catalog Number ID7661HB), paired with the Vincent Price horror film, Cry of the Banshee; both films were not letterboxed, but employed a full screen, pan-and-scan process. One of which is Erica, a friend of his that went missing earlier from her home after a blood transfusion. Tommy tries to escape the cemetery but runs into the waiting Count Yorga. Will they succeed in their intent? [9] This plan was dropped, however, and Quarry appeared as the artificially young Dr. Biederbeck. Although Michael is skeptical, the three men consider the possibility of vampirism as an excuse for Erica's behavior and agree to look into it while letting Erica rest. 1970 saw Christopher Lee return as Count Dracula in not one but two Hammer entries, Before becoming a genre icon Quarry would go on to appear in, Quarry would don the cape again one year later for the studios, Pianist Bill Marx was brought on to compose the films score, arguably one of the more traditional elements in this modern vampire tale with screeching strings and creepy organs to punctuate the supernatural happening. "[6] David Pirie of The Monthly Film Bulletin wrote that Count Yorga had been resurrected "with considerably more enterprise and panache than before." As played by Robert Quarry, he is quite creditable and effectively gave Christopher Lee (Hammer Film's Dracula incarnate) a run for his money. A third Yorga film, which would have featured a broken Count Yorga living in Los Angeles's sewers and creating an army of undead street people, never materialised. Michael alerts Hayes that Paul has gone to the mansion, and Hayes confides that Paul's lack of preparation will probably lead to his death. "[4] Gene Siskel of the Chicago Tribune declared it "the best horror film of the year. Count Yorga, Vampire doesn't distinguish itself by being particularly innovative, stylish or even excessively gory, but it is a lot of fun, Kelljan employing the genre's most recognised tropes to create a consistently entertaining flick - often witty, sometimes scary, occasionally camp, frequently sexy (the film was originally intended to be a soft-core movie, before being severely edited), and always enjoyable. And I have seen quite a few. Count Yorga, Vampire (also known as The Loves of Count Iorga, Vampire) is a 1970 American vampire horror film written and directed by Bob Kelljan and starring Robert Quarry, Roger Perry and Michael Murphy. The Count appears to have no reason to be at the boarding school's halloween bash, but he is there, uninvited, clashing with the other guests. And, even though he kind of looks like and acts like Count Dracula, he's not Dracula! Good subdued erotica, as the bat-toothed girls slink around in filmy gowns. If that's your bag, you should like this. The Count Yorga Collection (Limited Edition) | Arrow Video US Product Video Product Overview Product Details The Count Yorga Collection (Limited Edition) Earn 450 reward points when purchasing this product* MSRP: $50.00 $45.00 Save: $5.00 Quantity Buy Now Save to Wishlist Log in/sign up to use Wishlists! I enjoyed 'Count Yorga, Vampire' a lot and highly recommend it to fans of 60s and 70s vampire movies. Perhaps the big-haired living dead women crawl their way out of the dirt with too much ease, but style is more important than being realistic. He also grimly adds they might have to kill Paul and Erica too if they have become vampires, since the vampire curse will make them evil and loyal to Yorga. New blood needed to be injected into the genre. Jason breaks free, only to run into Count Yorga, who chases Jason down a hall and strangles him. "[4] Gene Siskel of the Chicago Tribune gave the film three-and-a-half stars out of four, calling it "extremely frightening" and adding, "Persons familiar with the original will find the sequel better photographed, better acted and containing more mayhem a minute. The rock bottom budget is really evident in a number of scenes, from the lighting to the sloppy camera work. At the party are several of her friends, including Donna's boyfriend, Michael Thompson, Paul, Paul's girlfriend Erica Landers, and close friend and doctor, Jim Hayes. Yorga is simply looking to put together an undead harem that he can voyeuristically watch make love from the throne in his dungeon and he does, in a sexy sequence probably leftover from the scripts original iteration. Yorga goes to the orphanage during the costume party. Count Yorga (Robert Quarry), a vampire, comes from Bulgaria to 1970 Los Angeles and starts making a coven of beautiful female vampires. This was a huge hit in 1970 because it was the first modern vampire film. On the way to the staircase, Michael encounters Brudah in the living room who eventually dies of his wounds. He also intends to take a new wife, while feeding his bevy of female vampires. Yorga is simply looking to put together an undead harem that he can voyeuristically watch make love from the throne in his dungeon and he does, in a sexy sequence probably leftover from the scripts original iteration. While only a nut would compare this to the greatness of Dracula or NOSFERATU, it still is a decent example of the franchise. Robert Quarry is the man as Count Yorga, and what's up with the coffin movers? The fact that there is a costumed vampire at the party, leads to amusing tension and the viewer knows that the Count will be teaching these people a thing or two about real vampires as the movie continues. The first character to suggest that the Count may be a vampire is Dr. Jim Hayes (Roger Perry); when the good doctor (whos in bed with an attractive, but daft young lady) calls the police to tell them theyre most likely dealing with a vampire, hes laughed off the phone as the 47th nut talking about vampires. Cast Crew Details Genres Cast The film was originally slated to be a s. Lesson to be learned: If your girlfriend or fiance happens to develop sudden listlessness after attending a seance conducted by a smooth-talking count from Bulgaria, or perhaps develops a yen for consuming dead house cats, you may want to heed the advice of your doctor friend when he tells you that the count in question may be nothing less thana vampire! Thomas is tricked into walking into the quicksand pit and promptly sinks to his death. Sure, it's done on a shoestring, but director Kelljan gets the most out of the cavernous mansion interiors and clever camera set-ups. At the beginning of the film, not long after the seance. His "Count" positioning gives him that old world nobility aesthetic, complete with a cloaked outfit. 1970 : 5 (0) Gun Runner Producer . It was a letdown for Quarry as well. Not owning the rights to the Bram Stoker creation, AIP decided to invent their own vampire myth: the result is Dracula-in-all-but-name, being suave (sporting gracefully graying hair), cunning (even when caught off-guard, he manages to assert himself and turn the tables on interlopers), psychic (amusingly, he doubles as a medium at private sances!) Quarry is a striking presence as Count Yorga (actually meant to be Iorga, and pronounced that way in the film, but changed by the distributing company in order to be more easily pronounced by the movie-going public!) Transposing the vampire legend into modern-day Los Angeles was not without its hurdles for the writers. Not long after they leave, Donna reveals to the others that she knows Yorga because he was her mother's boyfriend. Pianist Bill Marx was brought on to compose the films score, arguably one of the more traditional elements in this modern vampire tale with screeching strings and creepy organs to punctuate the supernatural happening. Stephen Farber's 1972 book, The Movie Rating Game, details the problems that the film's distributor American International Pictures had in securing a GP rating (formerly known as M, later renamed to PG) from the Motion Picture Association of America, which initially was divided as to whether to give the film an R or X rating. Quarry plays the title character, a Bulgarian migr hired by some young adults to conduct a seance. We basically know what fate will befall our innocent(just) protagonists, but we become riveted to their actions and those of the Count. Up until then all vampire films had been set in Europe in the 1800s or early 1900s. after giving the count a ride home, Paul and Erica get stuck and camp in their VW bus, and get attacked. He lives in a large house somewhere in California and terrorizes young women and their boyfriends. Alterations to the movie's soundtrack were also required to lessen the impact of violent scenes that remained in the film. Count Yorga is a mysterious Bulgarian mystic who resides in a gated mansion in the Southern California hills. Watch The Return Of Count Yorga: Yorga's Brides Rise From The Grave, Watch The Return Of Count Yorga: Yorga's Brides Attack. 1969 : 4 . Directed by Kelljan, COUNT YORGA was shot independently for a budget of less than $100,000 and distributed by Samuel Z. Arkoffs American International Pictures. Did the mother of the Nelson family turn into a vampire. Metacritic Reviews. Both drop the pretense that Yorga is anything but a vampire, and Yorga leads Hayes into his basement where his vampire brides lie dormant. LOL, at least I thought it was pretty funny. In the midst of their escape, they encounter Brudda and managed to shoot him to death. They said will you do it? He eliminates each of the friends one by one until it's up to two remaining friends to become reluctant vampire hunters to save Donna from an existence of living death. The Return of Count Yorga (originally titled Yorga Returns) is a 1971 American vampire horror film directed by Bob Kelljan and starring Robert Quarry, Roger Perry, Yvonne Wilder, George Macready, Rudy De Luca, Edward Walsh, and Craig T. Nelson in his feature film debut. They transported Christopher Lees Count and Peter Cushings Van Helsing to swinging London, sinking his fangs into a modish group of attractive young people (including Caroline Munro) in, The 80s saw a slew of modern-day vampire tales with Tony Scotts, [FANTASIA FEST 2020] LUCKY: TROUBLE EVERY DAY, [FANTASIA FEST 2020] HAIL TO THE DEADITES GIVES US SOME SUGAR, BABY, highly influential take on the vampire mythos. At the time, AIP was reportedly grooming Quarry to carry Prices torch as their new in-house horror star. The films climax features our heroes storming Yorgas home at dusk, having overslept despite their plan to attack during daylight hours. Again, nobody gets a happy ending. Its easy to pick out where the money shots would have occurred, had YORGA been shot as a skin flick: A love scene in a van on Yorgas estate, the girl-on-girl action in his dungeon, and what was probably intended as a masturbation scene when Erica is visited by the Count by night, a more explicitly erotic sequence inspired by a similar, more transgressive sequence in 1931s DRACULA. COUNT YORGA, VAMPIRE (Bob Kelljan, 1970) ***, My Friend Will Have a Hamburger and a Quart of Blood, Please, Another Terrific Vampire Flick from the Sexy 70's, Different take on the legendary Dracula story. AIP insisted that they needed an unrestricted GP rating for the film in order to get the film released into the largest possible number of theaters, most importantly drive-in theaters. Directed by Bob Kelljan. Your Daily Dracula - Robert Quarry as Count Yorga, The Return of Count Yorga (1971) 'No playing hero - the first one to find a vampire screams his ass off.' . He and Donna watch Yorga turn to dust. Marx was not a prince of darkness, but Hollywood royalty all the same: the adopted son of Harpo Marx and Susan Flemming, Marx had begun arranging music for his father at 16. Yorga awakens Donna telepathically and has her sabotage Michael's alarm clock before having her come to the mansion. They plan to attack later that afternoon in the hopes of killing Yorga in the daytime. Like most of the films that I saw when I was younger I watched it on a small black and white T.V. 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